The piano sonatas of Haydn; Sixth program, part two

I am I am. So no Urtext number 61 in D major. Although only two movements

and presto brings Haydn style right into the Beethoven and Schubert osmosis of the approaching 19th century. It has been described as the most Girton sonata of all the Haydn Sonata. However in my opinion this can only be applied to the first movement because the reality and strength of the Presto finale is closer to the great symphonic skirts of Beethoven. I don't play for you know the two movements of the Haydn Sonata number 61 and presto. The last so not any flat number 62 is a work on a grand scale.

And in fact the covers of some of the earliest editions and programs it was labeled the grand Sonata in E-flat and as a first movement a rich sonorities brilliant scale passages that has made this work the most well known of all the Sonata and standard repertoire for the virtue of today. The slow movement ornamentation almost Chopin its choice of the key of E major is striking and the finale is a stunning close to one of the most magnificent classical sonatas ever written. We bring our last broadcast to a close with a great E-flat Haydn Sonata number 62 Allegro Adagio and presto. Uh.

On this final program in the series the piano sonatas of Haydn we have heard Sonata is 59 60 61 and 62 performed undiscussed by Raymond Dudley a pianist at the University of Cincinnati College Conservatory of Music for the text and numbering Mr Dudley has used the new universal Urtext edition of the Sonata as published in Vienna production and recording by Myron Bennett. This series has been a production of WG U.S. the University of Cincinnati station. This is the national educational radio network.