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And won't be. Yes. Time with me
again. I. Mean you're. Never. Me. And. Then he'd be so.
Rude to. Me. Another fine record from the animals we gotta get out of this place. Followed by. Yet no debut record from the Vogues Hay Group from Pittsburgh who had a. Small series of hits on the CEO and CEO label from Pittsburgh like the group. And that was the first thing called Euro one. Then they disappeared for a couple years came
back on Reprise and did a couple things that really amounted to a straight pop records and then fade out again although I understand they're still rather popular on the nightclub circuit. Queen G moment here right now another very important debut record this time from the Stax company of course out of Memphis Tennessee. This one a group it was one of the most popular groups of 965 and most people at least outside of hardcore rhythm and blues circles had not heard of them till 966 but their first record was actually in the fall of 1965 their first hit record I should say they made a few recordings for roulette which were rereleased to after their success on Stax. But this was their first hit. SAMMON day one of my very favorites of theirs. I take what I want. Oh.
I am. I am. I am.
I am. I am. I am. I am. I am.
I am. Here. I am. Hell. I love.
My. Family baby baby record baby hit. I take what I want followed by yet another monster from that old banner year Motown 965 and Marvin Gaye horse. Ain't that peculiar. Written by the master himself Smokey Robinson. Right now. Yet another big one for the stones taken from the album December's children. Get off my cloud.
I am.
You're.
Throwing stones they're hit from the fall of 65. And of course get off my cloud. Followed by a real favorite of mine from the period. One of my more preferred of the social comment type 2. And another great one shot hit Jonathan King his only hit came out on the parrot label he subsidiary of London which released almost entirely British imports which of course was one and a thing called Everyone's gone to the moon. Right now what I still tend to think of is the rhythm and blues hit of the Fall 65 scene. Think of that particular fall I almost always think of this particular record. Yet another dance record and just a magnificent production job once again. On this particular record from the opening baseline to the fade out this is. Has classic written all
written my way of thinking woman who. A hit with McClure at the very beginning of 965 and didn't really have anything until at fault with her. Only really big hit on her own core. Horse Rescue. I am. I am.
I am. Both sides of fund tell bath a big hit from the fall of
1965. Generally forgotten and that was a double sided hit. Although a soldier man would die were nearly hit should be simply because it was so much overshadowed by a rescue which was of course a monster hit open in the pop field as well as in rhythm and blues. Soloman K. She didn't notice the sounded very very much like the early Aretha Franklin stuff on the Atlantic when she switched over to that label from Columbia and finally started having her magnificent series of soul rhythm and blues hits on that label. And I can't help but think that the. Aretha Franklin stuff in Atlantic was at least somewhat modeled after. That particular record by fun tele bass. Right now a really interesting record. A British remake of a tune from the. Help film of The Beatles and of course also from the album of the Beatles themselves they're not released on
45 but was I think pretty much far and away the most popular song on the album which was not released as a 45 and it was remade by a group called the silky really interesting sounding British group and released on a 45 and became a fair sized hit. And I think when most people think about that song they really at most often think of the silky version of. The version of You Got To Hide Your Love Away.
Moment with the fall of 1965 edition of the rhythm and blues express retrospective. Right now it's time to make way for station break grab some local announcements and I'll be back once again.
Program
Man in Mono: A Look at Rhythm and Blues by DJ Clean Gene [Program I]
Producing Organization
WYSO
Contributing Organization
WYSO (Yellow Springs, Ohio)
AAPB ID
cpb-aacip/27-182jm7vd
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Description
Description
Part A. DJ Clean Gene [Gene Lohman] is a resident of Yellow Springs, Ohio.
Broadcast Date
1982-07-01
Created Date
1965-06-02
Topics
Music
Media type
Sound
Duration
00:30:54
Embed Code
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Credits
: WYSO FM 91.3 Public Radio
Producer: Carter, Lorenzo
Producing Organization: WYSO
AAPB Contributor Holdings
WYSO-FM (WYSO Public Radio)
Identifier: M_0801_A (WYSO FM 91.3 Public Radio)
Format: 1/4 inch audio tape
Duration: 00:30:44
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Citations
Chicago: “Man in Mono: A Look at Rhythm and Blues by DJ Clean Gene [Program I],” 1982-07-01, WYSO, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed May 4, 2024, http://americanarchive.org/catalog/cpb-aacip-27-182jm7vd.
MLA: “Man in Mono: A Look at Rhythm and Blues by DJ Clean Gene [Program I].” 1982-07-01. WYSO, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. May 4, 2024. <http://americanarchive.org/catalog/cpb-aacip-27-182jm7vd>.
APA: Man in Mono: A Look at Rhythm and Blues by DJ Clean Gene [Program I]. Boston, MA: WYSO, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-27-182jm7vd