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My journey to the past was coming full circle. 17 years of exile in England had ended, and now my pilgrimage back to India was nearly over. . Ganga Maya, Mother Ganges, Bharatmata, Mother India. . In the social and religious life of India, Mother Ganges and Mother India are one and indivisible. . On the morning of my departure, I watched India wake by the banks of the Ganges at Patna. The Ganges is the river of India, part of a geography, part of a history.
At the beginning of each day, men washed their bodies and cleansed away their sins in its sacred waters. At the end of each life, the ashes of the dead are scattered upon them. The Ganges is Mother Ganges, not a mere expression, but like Mother India, a belief and a way of living. Towards the end of my journey, I came to Patna, the capital town of the state of Bihar, to seek another mother and a family. My sister, Janna, I had last seen her as a young woman in 1947. The year I had left India. Janna and I were the children of another age, a special time before causes and independence, before partition and exile. When India was divided in 1947,
we had lost touch with each other. I had gone with my family to live in England. Janna had left her studies and come with her husband to Patna. 17 years later, I had found her again, this companion of my childhood, now herself a mother and already middle-aged. Her house on the banks of the Ganges, an old colonial-style bungalow named Riverview. It once belonged to an English family who actually made India their home. Janna had married into the family of one of the old navab's partners. Unlike son, they had succeeded in adapting themselves to the new order. Her husband Mumman, the younger son,
now drove to his insurance office each morning. The eldest son, a lawyer, occupied another section of the house. Fortune had deprived him of his inheritance, but something of the old navab lingered on. Elsewhere, the other women of the house gossiped away the time of day. My sister's mother-in-law, her husband's aunt, and her sister-in-law. The ladies talked and prepared the pan, a green leaf, eaten with lime, dried green nut and other spices. Taking pan is very much a social custom in India,
like tea drinking or snuff-taking. Quite naturally, I too was received into this large family. A family I had never known, but I was my sister's brother, and that was enough. The children packed off, husband and brother dispatched, ladies of the house settled, orders for the daily round issue. Now it is my sister-in-law's turn. When the old social order began to crumble in India after independence, my sister went back to her studies to become a teacher.
Now she taught passion in the local university college in Patna. My sister Jannu, now running a large home and bringing up her own family, and finding time to be a teacher in this new society. Patna is one of the truly historic cities of the world, two and a half thousand years of recorded history, one civilization piling up upon another, the imperial city of ancient Hindu emperors, the capital city of a Muslim kingdom, and one of the great centers of English culture and commerce. Patna's famous granary,
built in 1770 after the terrible famines in West Bengal by a special decree for the perpetual prevention of famine in these provinces. Two and a half thousand years, a period of glory longer than any Rome or Athens, revealing still the many contrasts of its confusing history. The Monument to the Seven Martyrs, seven sons of India who fell outside the assembly buildings in 1943 in an attempt to haul down the British flag. In the Patna Cemetery with its weird mixture of Hindu and Christian architecture
and obelisks to other heroes, sixty British soldiers who died in 1763, fighting the old Nawab's Bengal, so that the Union Jack might fly over India. And the Scott family, whose house was now my sisters, one of the few English families to accept India completely, to live here and to die here. A Monument to a time almost before time, the well of Ahsoka, the great Hindu Emperor who reigns 300 years before Christ with all the spender of the ancient world and with more humanity than the modern. Nearby, a Hindu temple,
where they worshiped the goddess of smallpox. Once, it was her task to heal the disease. Now, she heals the source left by the marks of the vaccination needles. From where the Emperor Ahsoka evangelized the eastern world for Buddhism. Where the goddess, Sita, once cured but now instead forgives those who accept the faith of modern medicine. Patna Bada Ganges, in the great sweep of its history,
almost to miniature India. How fitting that my own sister, in herself so much that in modern India, should have chosen to make her life here. I had come back to India when the winter was nearly over, when the season was setting to hope, and the promise of harvest. Now, at Bhagawan Farm near Charkare, the farm of my younger brother Acho, the crop was ready for reaping. In the endless open fields of Bundelkhand, where I had once played as a child, the harvesters from the villages were settling in for the long task. The beginning of the festival of holy,
a great Hindu festival, which heralds the gathering of the harvest. In Hindi, holy means it is all over. The season and the year, the differences in the rivalries, symbolically burned with the first years of the harvest. Holy, the festival of forgiving and thanksgiving. Holy, it is all over. In the town of Jaipur, at the home of Satish Chandra,
my colleague from Allahabad University days, I was caught up in the mad excitement of holy. For me, it marked the ending of a return, and the beginning of a departure. During holy, the Hindu people let themselves go, one day of celebration, when all the cares of the year forgotten. The three essentials of holy are rung, rust, and rob. Color, dance, and song. Holy is described as a satan area, during which servants forget their duty towards their masters. Children, their reverence to parents, men, their respect for women,
and women all notions of modesty, delicacy, and gentleness. Breakfast, ridiculous, but always generous. The spirit of holy overflows in the homes, and in the gardens, in the fields, and in the streets. No one is allowed to escape. Neither Prince nor Papa, Brahman nor Harijan, Hindu nor Muslim. And I, a Muslim, came to celebrate holy at the home of my friend Satish, a Hindu. I had returned to India at the end of Ramadan for the festival of Eid.
In my own hometown, I had celebrated that great Muslim festival with my Hindu friends. Now, my journey almost over, I joined my Hindu friends again in their own annual festival of holy. Ramadan and holy, festivals of different religions, Muslim and Hindu, but shared in India, my India, by all. Holy, it is all over. And to my part, it was nearly over too. Holy, it is all over. The holy dance,
recapturing the spirit and character of holy, recalling the meaning of the season that had gone. Coming back to my native home of Charkhari, after 17 years in England, coming home to my family, to my brother, to my mother. I remembered the people of Charkhari receiving me more as a hero than a prodigal son. Extending the same affection I had known as a child. The face of a refugee child,
I met the slums of Lucknow. In Ali girl, my own sister, for whom freedom and independence meant emancipation and dignity. And the streets of Bombay, throng now with the women of New India, dignified, free and independent. A young boy toiling by the banks of the Ganges, the eternal lot of eternal India. The face of my old and honored teacher from Charkhari's school, now a member of parliament for Charkhari, House of Commons, free India. And the face of the new generation at our old school, a generation for whom this struggle for freedom and independence
was now in old tale, and the future in other world. The Indian Military Academy, and the memories of my own youth and future during the Second World War. Like the echoes of Allahabad, my university, that future was now the past, but the voices in the deeds of that time are India's present now. At Bhagwan Farm in Charkhari, they gathered yet another harvest. In the manner they must have done for centuries, to the rhythms of the old harvest songs of Bundelkhand
and to the notes of the Ramthula, the harvest form. It would take a good two weeks to harvest the 300 acres of land and would give work to over a hundred hand-picked labourers from the neighbouring villages. By the time the harvest would gather and the threshing done, it would be springtime in England, and the apple tree in my own garden would be in bloom. Before my brother had sowed his crop and paid off his debts, I would be back with my wife and children in England. My family might never really understand the debt that I owe to India,
the land of my birth, but they would welcome my return, knowing that the promise had been redeemed. The morning light aches with the pain of parting. Oh poet, take up thy flute. At Palame airport in Delhi, my whole family turned up to bid be farewell
on my journey back to England. They gave me garlands, and they tied on my arm, the Imam Zamin, a sort of Muslims in Christopher. They came from the four corners of India, brothers and sisters, husbands and wives and children, a truly Indian fair way. No embarrassment at expressing emotion for this is India, where it is natural for families to travel thousands of miles to say goodbye. They came to ensure that my last glimpse of India
would not be the airport buildings, to assure me that although my own family awaited me in England, I belong to another family in India. Let me remain the last of all your pilgrims said the poet to go. They come from all sides to ask for gifts from your hands. Let me wait till they all have had their shares. I shall be content with the last remnant. From India, my mother India.
This is NET, the National Educational Television Network. NET, the National Educational Television Network. The National Educational Television Network.
Series
India, My India
Episode Number
4
Episode
Yet Another Harvest
AAPB ID
cpb-aacip/516-057cr5p45w
NOLA Code
IMIA
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Description
Episode Description
Yavar Abbas is completing his visit to his native India and preparing to return to England where he has spent 17 years of self-imposed exile. Visiting the places of his youth and early manhood, he sees the monument honoring the British soldiers who died fighting in 1873 so the Union Jack could continue to fly over India. Yet, there is another monument - one honoring the Indian martyrs who gave their lives pulling the Union Jack down in the 1947 fight for independence. He visits his sister who was raised with him in a social era of the past. Women has once been solely destined only to be wives, but his sister had in this new generation received her education and is now a university teacher. Although India is now part of the modern industrial revolution, there are still people who engage in crude forms of labor as in the past, ancient rituals still exist, and sacred cows still roam the land. As his visit to his native country nears an end, the people gather "yet another harvest" as they have done for many centuries. And with the gathering of the harvest, there is the Hindu harvest festival - a one-day celebration devoted to forgiving and thanksgiving and a day when all of the cares of the year are forgotten. As he departs his native land, friends and relatives come from many miles to bid farewell. To Abbas it is "truly an Indian farewell to remind me that although my family waited for me in England, a family remained in India." (Description adapted from documents in the NET Microfiche)
Series Description
When India gained independence in 1947 and the land was divided into India and Pakistan, Yavar Abbas was disillusioned and left his homeland with his English wife and his infant son to live in England. After 17 years he returns to become reunited with his relatives and friends. This four-part series follows Abbas as he takes a nostalgic look at his past and visits places of his youth and early manhood. In these and other places, he sees something of the old and familiar India and the new independent country. The film won the Marconi Award at the International Film Market in Milan in 1967. India! My India! is a presentation of National Educational Television. The 4 half-hour episodes that comprise this series were originally recorded on film, but were distributed to NET stations in black and white on videotape. (Description adapted from documents in the NET Microfiche)
Broadcast Date
1968-06-09
Asset type
Episode
Genres
Documentary
Topics
Economics
Biography
Travel
Media type
Moving Image
Duration
00:30:23
Embed Code
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Credits
Composer: Batish, S. D.
Director: Abbas, Yavar
Executive Producer: Weston, William
Host: Abbas, Yavar
Producer: Abbas, Yavar
AAPB Contributor Holdings

Identifier: cpb-aacip-516-057cr5p45w.mp4 (mediainfo)
Format: video/mp4
Generation: Proxy
Duration: 00:30:23

Identifier: cpb-aacip-516-057cr5p45w.mp4 (mediainfo)
Format: video/mp4
Generation: Proxy
Duration: 00:30:23
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Citations
Chicago: “India, My India; 4; Yet Another Harvest,” 1968-06-09, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed June 16, 2024, http://americanarchive.org/catalog/cpb-aacip-516-057cr5p45w.
MLA: “India, My India; 4; Yet Another Harvest.” 1968-06-09. American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. June 16, 2024. <http://americanarchive.org/catalog/cpb-aacip-516-057cr5p45w>.
APA: India, My India; 4; Yet Another Harvest. Boston, MA: American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-516-057cr5p45w