¡Colores!; 1701; Notable New Mexican 2006; COLORES NNM06 #3 - 4/17/06 ABQ Museum - Maria Martinez pottery - Georgia O'Keefe painting in gallery
- Transcript
shot. Okay. Coming up. There's a little. The camera's red light is on the
shot. Yeah. And here we go. Okay. And actually, there you go. Maybe even a little faster. I guess that's good. That's good. Okay. You think about your sweet spot. Yeah.
The lesson you're in is all between. Right. Okay. All right. Let's, uh, okay. Let's do, um, her.
Let me get one more. Let me get one more. Okay.
Okay. One, two, three, four, five, six, seven, eight, eight, eight, eight, eight, eight, eight, eight, eight, eight, eight, eight.
Okay. And then you see the dimples.
That's kind of pretty. Okay. All right. It's a little something, you know. It just pops it out more. Yeah.
And you see some of the texture in the black. It's all about the reflections. Mm-hmm. Also see this woman could make a coil pot. Mm-hmm.
Pretty good. Yeah. It's just. That's a coil with it. Not exquisite. I don't know. I don't know if about it. I can recognize it.
It seems that could palm your head. Yeah. Mm-hmm. Yeah. Big, strong color. Okay. That's good. Okay.
Okay. That's good. That's good. That's good. Well, it's, it's because it's, yeah. But I like that. It's moving. It gives it even a little bit more movement. That's cool. I like that.
We didn't have to move the camera to get it. Yeah, because that comes to be true. Yeah. Yeah. Yeah.
Really. Really. It's uptime wise. Yeah. Yeah. Yeah. That's good.
We deal with the terms to do with this. Basically. Okay. That's a nice. It's a beautiful shot. Okay. That's a nice place.
With the right on. Okay. But we've never had an out and started stocks and it's cheaper probably. Nice.
You really get that texture on the right side. It's a little bit.
Yeah. That's good.
Yeah. That's good.
Okay.
Yeah. I like the closer shots. Yeah. We can be ready for the next piece.
Okay.
Anybody have a time?
What is it?
Okay. We're good with this. Let's go ahead.
Yeah.
Boy, I got it.
That's too much there.
Okay. You want to just get a frontal while it's rotating? Sure.
Okay.
Okay.
Okay.
It looks like we can't kind of fun. Just because it's that off-center on the turn table.
I'm going to come out now and get in the sweet spot again.
Yeah. That's good. That's good.
Coming out.
Oops.
Stop. There we go.
Nice.
It's pretty fast too.
It's just the tight stuff that's real quick.
Okay. You got it down.
That's better. Okay.
Okay.
Okay.
Okay.
Couple more seconds.
Okay.
Okay.
Okay.
Okay.
Okay.
Beautiful.
Nice.
Let's get that creature in the hole.
Okay.
Here we go again.
Okay.
What are you doing?
Can we do that once without Antony's light? See if it gets rid of at least one of the hot spots?
Okay.
Beautiful.
Beautiful. Oh, that's nice.
Okay.
Wait for the head.
Yeah, let's start. Let's wait for the head.
Okay.
Okay.
Beautiful.
Okay.
Alright.
Okay.
Yeah.
Let's wait for the head though.
Okay.
Can you pull it so it's a little, there we go.
Okay.
Okay.
Okay.
We have the full shot of this spot.
Okay. Let's get into the next pieces.
Yeah.
We'll get one shot without it.
And then when we start to pull out further, we'll get the turntable on it.
I love that.
Looks almost hammered, doesn't it?
That's a nice piece right there. I like that.
Oh, it's just beautiful.
It's not turned.
It's not turned.
It's not turned.
It's not turned.
It's not turned.
Okay.
Alright.
Is there what?
It's still.
Oh, it's so, it's blows my mind.
Yeah.
We're going to be able to film a bunch of her pieces.
And it'll just be one into the other, into the other, into the other.
We are going to the Museum of Mexico, Indian Arts and Culture and School of American Research.
I think between you guys and them for a less than, yeah, less than five minute segment.
Okay. I think that's nice too.
That's pretty there.
Oh, good. Wait, right there.
Yeah.
Yeah.
Yeah.
I'm going to move around in it, too.
That's kind of great.
Okay, that's got it for that.
We want to move on to the...
Yeah.
We can hold it in time to take it forward and move it next to you.
It'd be a little easier to work, too.
Maybe we could zoom in on slow down the rotation after you get this.
Got it.
Just a...
Okay, here you go.
It's close to you.
Okay.
Oops, I messed up that.
Maybe I'll slow down.
Come on.
It took the plate up a little bit.
You'll be more than a band, too.
Right.
You could just do that.
Light it up a little bit.
Mm-hmm.
The aim, the aim.
That makes a little kind of accent.
Yeah.
A lot of us.
Okay.
Freeze back a bit.
Stay here and...
Hold it up.
It's really cool.
Should just do the bottom one in turn, too.
Mm-hmm.
That looks like it's time to choose.
So I'm going to go in from here, Paul.
Okay, that's good.
Let me hold this in a little bit for a second.
That was our first shot, right?
I'm going to get the closer.
Okay.
Before the plus half we got this shot.
Okay.
Nice little piece here.
Come back here up.
That's pretty.
Get the edges.
You'll stop here.
Okay.
Yeah, isn't that neat?
Okay.
Very wet.
Perky?
Huh.
Yeah.
It's your first shot.
Yeah.
There's an investigation.
It's not an investigation.
Okay.
Could you do a focus where you pick up from the front and move to the back?
Sure.
Start on that front edge.
Yeah.
Front edge.
Yeah.
It's back.
Mm-hmm.
Okay.
Well, when I just dropped the light.
Okay.
Let's do, let's get some of these on some stands.
This way we'll just have some clean static shots.
Let's get the other two places the same way.
Okay.
Then we'll move on to the detail in here maybe.
Did you get this one enough?
Getting it one, two, three, four, five, six, seven, eight.
10, yes.
Okay, let's go rolling.
And coming out.
Yeah.
Why do I watch that?
Yeah.
I don't know.
I don't know.
Sorry.
There's a presentation there.
I think so.
Yeah, thanks.
What's your name?
Starting here now.
Yeah.
Yeah.
Coming out.
Nice.
Get that upper edge with the red behind it.
There's light.
Good.
It's tough.
Yeah.
It's like light black hard.
I think it is an assistant.
Oh, man.
We'll watch that because we really should be watching this.
Oh, sometimes.
Yeah, watch that color.
They were seeing a little more frame than you have for your show.
That's beautiful though.
It's just awesome.
It's pretty.
It's got a real neat patina on it doesn't it?
It's the bronze.
Don't cough.
Do you want to get that?
Let's do the...
Yeah, that's good.
I like it.
That's a beautiful piece.
Thank you.
Yeah, we'll get a little.
You can do it.
Okay, great.
Let me do that in mind.
Oh, it's just a gorgeous piece.
Oh, I love that.
That is so cool.
Great.
Oh, with the red.
Beautiful.
That's beautiful.
All right.
Very good.
Okay, is there something?
And...
Action.
Oh, my gosh.
Four, five, six.
Okay, that's right.
Okay.
Wow.
Oh.
Okay.
Hold it.
That's a three.
Okay.
Okay, good.
Oh, it's good.
Okay, we're rolling with right now.
Okay.
That's something.
Hold on to that.
Wow.
Where's that little hotspot coming from?
That's from the other.
Nice dip.
Let's go.
No, I mean, there's a tiny one to the right of your dish.
On the right side of the dip.
Probably the light.
No.
We're rolling the second half.
Okay.
You can use it right away.
Oh, no.
You can come and call.
She didn't get to put it all on.
Okay.
Then we're done.
And here.
Let's go get the...
Yeah.
There we go.
That's great.
That's great.
No, I was going to give you the joke.
There.
You catch a flare on the line.
Oh, there we go.
It's pretty nice.
This is our last one.
Again and zoom in.
Pass over to Jill.
Okay.
And there's my shadow.
One.
Yeah, let's do it.
Three.
Four.
Three.
Four.
Okay.
Okay.
Okay.
Yeah.
Yeah.
But that's without this will be good.
What did you soften?
Took the edge off the lamp.
The hotspot.
Yeah, she worked it.
No, it's if never.
He held his hand up over something and it just totally...
Well, he's...
The lens was getting milked out.
Like that light.
Yeah.
You know what's even worse?
Yeah.
I mean, that could be like a...
I just saw that.
You know what I'm saying?
That's a background.
Yeah.
Here we go.
Coming out.
Come on.
What's up, down there?
Let's go get George's painting and we've got to have the road.
What do we do for lunch?
For lunch.
For lunch.
You buy something really expensive.
Just for lunch.
We're right by, um I...
Yeah, we're going to use party blood as food.
I didn't either.
I got to answer you.
Anthony, you have lunch?
Yeah.
So we were going to go back to the station to get the scanner, but I think we're going
to have time.
I don't know what to do about the photographs of Alan Houser, because we have him working.
I don't think so.
You know.
I mean, it would have been nice to have some from his early life.
Please stand back.
I mean, here you are.
Oh, okay.
Look like a grandma.
It's breathing in here.
That's chilling.
It is cold in here.
Okay.
Are you going home?
Yes.
Okay.
Okay, guys.
So then step in a little closer like you're looking at it.
Okay.
That's good.
Do you want to go back in?
Just get one.
All right.
Check this.
Go back in.
Okay, let's leave it a little closer.
Okay.
Hey, Joseph, go ahead and walk out.
Okay.
That's good.
Gives me a little good shot.
Really?
It's good.
Okay.
Cool.
Yeah, I like it because it really...
Make sure.
And we are still.
Okay.
Are you getting in now?
Okay.
So just hold there for a second.
Lastly, we'll get this working more seconds.
And then...
Okay.
Let's get one more we could with just...
Go ahead.
Let's see if I'm having one closer.
Okay.
That's great.
Okay.
I think that's it.
All right.
We're good, guys.
That gives me one of the natural...
- Series
- ¡Colores!
- Episode Number
- 1701
- Episode
- Notable New Mexican 2006
- Raw Footage
- COLORES NNM06 #3 - 4/17/06 ABQ Museum - Maria Martinez pottery - Georgia O'Keefe painting in gallery
- Producing Organization
- KNME-TV (Television station : Albuquerque, N.M.)
- Contributing Organization
- New Mexico PBS (Albuquerque, New Mexico)
- AAPB ID
- cpb-aacip-191-913n6369
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip-191-913n6369).
- Description
- Episode Description
- Footage shot for "Notable New Mexicans." Each year The Albuquerque Museum Foundation celebrates notable New Mexican's and this year the Foundation is doing some thing special. Instead of honoring a single New Mexican, notables this year are artist Georgia O'Keeffe, jazz musician John Lewis, Pueblo potter Maria Martinez, Apache artist Allan Houser and politician Dennis Chavez. In collaboration with the Albuquerque Museum Foundation, KNME will produce a special thirty minute ¡Colores! documentary featuring these notable New Mexicans. This documentary will be broadcast by KNME. Georgia O'Keeffe- The artistic brilliance of Georgia O'Keeffe ranked her among the vanguard of modern art. In her paintings she vividly portrayed the power and emotion of objects of nature. This was first seen in her charcoal drawings of silhouetted bud-like forms exhibited in 1916 that brought her fame. During the 1920s, she explored this theme in her paintings of flowers. Her purpose was to convey that nature in all its beauty was as powerful as the widespread industrialization of the period. After spending a summer at Ghost Ranch in Abiquiu, New Mexico, Georgia O'Keeffe began a life-long love affair with this area. Enthralled by the barren landscape and expansive skies she explored these subjects in her paintings. Just as with the flowers, she painted the desert area magnifying and capturing the stillness and remoteness, while expressing a sense of beauty that lies within the desert. Her paintings have become synonymous with Ghost Ranch introducing the area to the rest of the world. John Lewis- John Lewis made a significant contribution to jazz in a career spanning over 55 years. Raised in Albuquerque New Mexico, he graduated from Albuquerque High School in 1937, and from the University of New Mexico in 1941. After serving in the Army during WWII, he followed his army buddy, drummer Kenny Clark and settled in New York City to pursue a career as a Jazz musician. He arrived at the height o the BeBop movement. He played with and arranged for colleagues such as: Dizzy Gillespie, Miles Davis, the Jazztet while becoming a Jazz legend all his own. As pianist, composer, arranger and music director of the Modern Jazz Quartet, formed in 1952, Mr. Lewis became the architect of a unique sound in Jazz and expanded the Jazz audience to the concert hall. In the mid-1970's, he taught at City College of New York, and at Harvard University and was Director of the Monterey Jazz Festival. He passed away in 2001. Wynton Marsalis and Dave Grusin share their insights, friendship and the impact of John Lewis on their careers and on the music world. Included is concert footage with Lewis playing with the Modern Jazz Quartet in 1987 and at the Monterey Jazz Festival in 1975. Maria Martinez- Few craft artists, Native American or otherwise, can claim worldwide fame and appreciation. but this recognition accompanied the life of potter Maria Martinez of San Ildefonso Pueblo. Through her hard work and generous sharing of her pottery techniques, Maria reintroduced the art of pottery making to her people, providing them with a means of artistic expression and for retaining traditional aspects of the pueblo way of life. For nearly one hundred years, until her death in 1980, Maria was always eager to greet visitors and share her craft. Maria and her family have been and continue to be ambassadors from San Ildefonso Pueblo sharing the rich culture and heritage with the rest of the world. Her grandchildren and great grand children share their memories and appreciation for the work and legacy of Maria. Allan Houser- Born in 4, Allan C. Haozous was to become known as Allan Houser, one of the 20th Century's most important artists. Allan's father was with the small band of Warm Springs Chiricahuas when their leader, Geronimo, surrendered to the U.S. Army in 1886 in the northern Mexican state of Chihuahua. At an early age Allan became interested in Apache traditions and cultural life, which he celebrated in his life's work. In 1934 a notice for an art school in Santa Fe attracted his attention, and he enrolled in the Painting School at the Santa Fe Indian School. Commonly known as the Dorothy Dunn School after its prominent teacher, Allan became its most famous student and by 1939 his work was exhibited in San Francisco, Washington D. C., and Chicago. In the same year he received a commission to paint a mural in the Department of Interior building in Washington, and its success led to a second mural commission there in 1940. In 1962 Allan joined the faculty of the newly created Institute of American Indian Arts in Santa Fe. There he created the sculpture department and focused on three-dimensional art work. As he taught and created sculpture he integrated the aesthetics of the modernists with his narrative ideas. By the late 1960's he began exhibiting this sculpture and recognition of his unique style grew. Museums and private collectors sought out examples, and his influence became apparent on hundreds of students and other artists. In 1975 Allan retired from teaching to devote himself full-time to his own work. In the two following decades he produced close to 1,000 sculptures in stone, wood, and bronze, and emerged as a major figure on an international scale. He had nearly 50 solo exhibitions in museums and galleries in the United States, Europe, and Asia, and he continued working tirelessly until his death in 1994. Dennis Chavez- Raised in Barelas, a neighborhood of Albuquerque, Dennis Chávez became an outstanding figure in politics, but until recently, Chávez's role in American history has been largely overlooked. With charm, intelligence and unwavering belief, he championed civil liberties for an entire nation. As New Mexico's longtime senator, serving from 1935 to 1962, the socially conscious Chávez was, for years, the only minority in the U.S. Senate. A maverick, he tirelessly fought against the discrimination he witnessed and experienced. The civil rights legislation that finally passed Congress in the 1960s grew directly out of Chávez's efforts in the 1940s, as he became a leading advocate for minorities nationwide. An ardent constitutionalist, Chávez also led the anti-McCarthy protests. Chávez gravestone reads, "Dejo este Senor una vereda trazada aque nunca se olvidara lo hizo con la esperanza de que otros la sigan" -- "This man blazed a trail that will never be forgotten. He did it with the hope that others will follow." Partial funding for the production of this program was provided by New Mexico Arts a division of the Office of Cultural Affairs and the National Endowment for the Arts.
- Description
- No description available
- Raw Footage Description
- This file contains raw footage of close-up shots of pottery made by Maria Martinez displayed in the Albuquerque Museum. File also includes shots inside the Albuquerque Museum's permanent collections gallery where Georgia O'Keefe's oil painting, Gray Cross with Blue, is on display.
- Broadcast Date
- 2006-06-09
- Created Date
- 2006
- Asset type
- Raw Footage
- Genres
- Unedited
- Media type
- Moving Image
- Duration
- 00:26:16.709
- Credits
-
-
Producer:
Matteucci, Paula
Producing Organization: KNME-TV (Television station : Albuquerque, N.M.)
- AAPB Contributor Holdings
-
KNME
Identifier: cpb-aacip-b486ac61895 (Filename)
Format: DVCPRO
Generation: Master
Duration: 01:00:00
-
KNME
Identifier: cpb-aacip-5588cc063ab (Filename)
Format: DVCPRO
Generation: Master
Duration: 01:00:00
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “¡Colores!; 1701; Notable New Mexican 2006; COLORES NNM06 #3 - 4/17/06 ABQ Museum - Maria Martinez pottery - Georgia O'Keefe painting in gallery ,” 2006-06-09, New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed October 4, 2026, http://americanarchive.org/catalog/cpb-aacip-191-913n6369.
- MLA: “¡Colores!; 1701; Notable New Mexican 2006; COLORES NNM06 #3 - 4/17/06 ABQ Museum - Maria Martinez pottery - Georgia O'Keefe painting in gallery .” 2006-06-09. New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. October 4, 2026. <http://americanarchive.org/catalog/cpb-aacip-191-913n6369>.
- APA: ¡Colores!; 1701; Notable New Mexican 2006; COLORES NNM06 #3 - 4/17/06 ABQ Museum - Maria Martinez pottery - Georgia O'Keefe painting in gallery . Boston, MA: New Mexico PBS, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-191-913n6369