ZOOM, Series I; 402
- Transcript
Satsang with Mooji Thank you. Come on and zoom, zoom, zoom-a-zoom Come on and zoom-a-zoom, zoom-a-zoom Everybody's doing it, everybody's doing it Everybody's having a ball, yes So won't you zoom, zoom, zoom-a-zoom Come on and zoom-a-zoom, zoom-a-zoom I'm Pauvin I'm Tishy I'm Red I'm Kate I'm Norbin I'm Tracy I'm Tommy I'm Carmen
I'm David. I'm Andre. Who are you? What do you do? How are you? Let's hear from you. We need you. So won't you zoom, zoom, zoom, I zoom. Come on and zoom, zoom, zoom, zoom, zoom. Come on, give it a try. We're gonna show you just why. We're gonna teach you to fly. this program is funded by grants from mcdonald's corporation and mcdonald's restaurants fund and by public television stations the ford foundation and the corporation for public broadcasting order in the court Cuma lotta, Cuma lotta, Cuma la vista Oh, no, no, no, I'll be stopped
Thank you. Can we please have the first prisoner? Come on, get out of there! You can't pay me! I won't let you! This lady was caught throwing peanuts off the bridge. Peanuts off the bridge? Ladies and gentlemen of the jury, as the prison's defense attorney, I asked you what is wrong with throwing peanuts over the bridge!? M-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m. M-m-m-m-m-m-m-m. M-m-m-m-m-m-m-m-m-m-m-m-m. Ladies and gentlemen of the jury, could you please have the verdict? Guilty or not guilty? Not guilty! Bring in the next prisoner, please. Come on. You didn't do anything. Leave me alone. I'm not guilty. Your Honor, this man was caught throwing peanuts off the bridge. He's lying. Ladies and gentlemen of the jury, again I ask you, What's wrong with throwing peanuts over the bridge I don't know I'll tell you what's wrong with throwing peanuts over the bridge Let me tell you what's wrong with throwing peanuts over the bridge
Let me tell you what's wrong with throwing peanuts over the bridge Um... peanuts The Big Bad Blug... Bugs The Big Bad the big big brown bear bit the big black bug the big big brown bear bit the big black bug big brown bear bit the big black bug what about engine okay engine engine number nine Rollin' on the Chicago line If the engine jumps the track You'll get your money back Engine, engine number nine Rollin' on the Chicago line If the engine jumps the track You'll get your money back Seven and a quarter, seven and a half My name is Stephan Keenan And my name is Steve Keenan
We're identical twins My dad has an auction business He started two years ago We're practicing our auctioneering For a big auction this weekend it's farm country up here way up in the tip of maine there's a lot of farms around here more than you can count the auction tomorrow is a farm machinery auction farm machinery auction is an auction where farmers can bring the use and new equipment in for other buyers and sellers what What are you going to buy tomorrow? Oh, a flower or two. Flower or two? Yeah. We start the auction at 9. We start on that side, come up through and come down through here. It's supposed to be tomorrow afternoon through here. All right, folks, we've got a puppy. Four legs and a tail. We'll give me $5. How about $5? A sleepy one, too. How about $5? We'll give me $5 on the puppy. How about $4? We'll give me $4 on the puppy. I'll give me $4, we'll give me $5. How about $5? We'll give me $5. 210, lot number?
32. 32, brusher. We have to go there the day before the auction to set the auction up. It all has to be done right because it would be a real big mess if we didn't. We have at least 450 pieces each auction. Okay, what have you got to sell next, boys? Mower. Okay, what kind is she? Massie Hears. Okay, and when you sell it, what are you going to be talking about in this mower now? Well, it fits on a three-point hitch. Right. It runs on a PTO. Good. And it'll fit on most any Massie Ferguson. Good. Okay, now what do you think we can get out of it? Two to three hundred dollars. Two to three, okay. I don't know which one are you going to be selling it. uh what will you call for an opening bid on it 300 good okay what will you do from there brother
if uh you can get 300 drop it down to 100. okay and then take it by what uh uh 100 halves oh that would be good yeah i see a four eight four nine five four five five five five five i find one half yep i got to have no other six yep all right folks we're gonna need to pull a lime sour how about a hundred dollars you might know a little land so yeah hundred dollars you met two i'm into one consciously me two on the lime sour how about half HOW ABOUT ONE HUNDREL YOU MEAN HALF HOW ABOUT A HALF HOW ABOUT A hizo How about a quarter? Farmers come from all over to bring their equipment in for us to auction off. They bring all kinds of things. Everything that a farmer would use. $30 we have at about $35. $30 we have at about $35. Careful, Garfield, don't wave your hands. You almost bought it. $30 in that car, what about $35? Solder for $30, the gentleman right over there. Your number, 32. Lot number 92 is a rock picker.
The only one we got in the lot today. What about a $500 bill? What about a $300 bill? What about a $300 bill? What about a $300 bill? What about a $300 bill? What about a $300 bill? What about a $300 bill? What about a $300 bill? One of our main jobs is to catch a bid and look out for the bidders. Yeah. The pace on the auction is pretty fast. You have to keep moving all the time. Three and a half, thank you. When you're auctioneering, you have to keep talking the whole time because it keeps the crowd interested and it keeps the bidder. Well, if he just sat there and didn't say anything, he might just think he's bought it and that's all to it. So you have to keep going so he'll know what's going on and everybody else will. 475, 475, what about a 5? 5 I have and a quarter. 525, sir. my favorite part of the whole thing is auctioning when i'm standing up there auctioning i really
feel proud of myself okay go ahead and go okay we got a tractor here cultivators and hoes look at me 500 give me five number five let me five the plow goes with it too yeah the plow goes with it The whole unit, who give me five? I'm number five, they'll give me five. Who give me four? Four, they'll give me four, I'm number four, I'll give me four. My first paradox thing, I used to sort of be just a little shy about, but Dad sort of told us that there's nothing to be scared of. Everybody's not real mean at you, they're not real mad at you for what you're doing. There's nothing to be shy about. What's going on selling? 300. I want 300 in that pen. I'm at 310, I'm at 310, I'm at 20. I'm at 20. I'm at 310, I'm at 20. I'm at 310, I'm at that 20. Finally, after a while, Steph and I weren't shy anymore, and now we just go up there and we can auction off anything and not be shy at all.
So, the big bad bear bit the big bad blood. No? The big brown bug bit the big black bug. The big bad brown bear bit the bug. Oh, bug bit the bear bear. The big brown bear bit the big bear, big bear, ooh. Buck? No, bug. What'd he say? El oso bien grande moldeo al insecto. The big brown bear. Skip it. Oh, I just can't wait till the Browns come. The last time I saw them was in 1950. Them. Yes. Oh, she said it must be them. I forgot my key. So I noticed. But I forgot to tell you that the Browns are coming tonight. Is that all right? But I promised Pete I'd go out with them tonight. Well, can't you call him and tell him he can't come?
Yes, I guess so. Yes. Hello, Pete? Yes. Yes, I understand. Okay, goodbye. Well, Pete couldn't come anyways, but he had a meeting scheduled for tonight, and I have to go to it. Darn this mustache. Well, I'll just have to call the Browns. Hello, this is Miss Jones. I'm sorry to say, but the party's off. Okay, goodbye. The party's off. I couldn't. Oh, this is confusion. I hate it. I'm going to kill people. I'm going to have an excuse. I'm going to have a nervous breakdown. Hello? Hello? This is Miss Tapioca. Pete's secretary? Yes? The meeting is off. Thank you! The meeting's off! Oh, that's just great news. I'll have to call for them. Hello?
Hello, this is Miss Jones again. The party is on. Oh, goody. Ooh, the party's on! The meeting's off. Yeah, but that's good. Hello? Hello, this is Miss Tapioca, Pete's secretary. Yes? The meeting is on. Meeting's on again. Well, I'm going to Florida. What about the party? Make yourselves at home. Yeah! Yeah! I can't stand this confusion. Let go of the set door. Special idea? Yep. Wow. Write it yourself? Yep. Send it now. Send it where? Send it to Zoom. Send it to home. Pose or cut? Or play? Whatever you've got.
Take your time. A story or a game? You bet. A riddle. A feeling, you bet. Now why don't you send it to Zoom? Who? Name and address. A stamp? Yeah. A C-C-2? Of course. Now why don't you send it to Zoom? Right Zoom, D-double-O-F-F-F-F-F-O Boston, that's four, two, one, three, four Send it to Zoom, yeah! Another peaceful dinner ends. Till then, me and my sister were friends. But now comes the decision. It's time to decide. there goes my sister running to hide she says it's my turn i say it's hers actually there's no way to be sure it's your turn i cry and you know it it's your turn she was lying but didn't show it oh but then came my mother quite against my wishes it won't hurt you once to do the dishes
oh crumb I said was sort of a sob why do I have to do her crummy job and then when I was wiping the last soap sud from my chin okay my sister What did the judge say when the skunk came in the courtroom? Order in the court. Yes? Hey, do you know what a trip is? Yes. A trip is when a rabbit takes a ride on a train. Here's a letter sent in by Dale Ritchie. Dear Zoom, I wonder if I could be a Zoom guest. I work at a gas station in Topsfield, Massachusetts, with my father.
We meet lots of nice people, and it's really fun checking oil and giving people gas. Okay, Dale, here's your chance. Turn on the pumps. So, huh, fill it up? Credit card machine. Does he want the oil check on it? Yeah. it's all right
what that credit card i just put in put it in here what john's credit card i just put in there yeah put it on the desk because that's fun with this reading all right so what do i have to do take it out take it out and put it in there well what'd you put it in for i don't know i forgot you put it on the desk your desk yeah you want it filled up right no it's all right Go and check out those restrooms, huh? All right. Sheesh.
Do we have any Ajax? What? Ajax. Where is it? You had it. Is this all we got? Not much. Hold it right there. All right, give me a chair, will you, Dale? Chair. Turn the key on. Don't start it.
All right. Now come and do it. What? Come my way? No, no, no, leave it where it was. Come down and grease your things you couldn't get. All right. Better find it all dirty. That's all right, you're all right. You can get it right here. All right. All right? No, no more. Doesn't she have a hood release on this? Dale. What? Pontiac. Way, way down? Oh, yeah.
Huh? You what? Something in my eye? Yeah, hair. It's my diet. I got a donut. Somebody stole my two hair. I don't want it right now. Yeah, somebody stole my two hot dogs. Somebody stole your two hot dogs? Yeah, eat that. This is the 30 weight, okay? clean this car out tonight too what you gotta clean this car out tonight
another day another dollar yep have you heard about the boy scout he did so many good turns he got dizzy and the whites weren't causing any trouble the puerto ricans the china i guess so forth i guess it all started because we're all different but just because we're all different doesn't mean we have to say like hate each other like it's stupid if i went up to you and i said i hate you i hate you i hate you i hate you i hate you it's stupid we're all the same i know different colors we are all the same in god's way but you know if every like if everyone was black what would we know we wouldn't have any experience of any other color i i just think that the black should stay with the black and the white should stay with the white and the puerto ricans should stay with the puerto ricans and so on and so forth because it's boring it doesn't and you
want to see how they action what would you rather see the same old face like people getting stabbed No, they won't get stamped unless if they try. They can try, you know. Like when I came to some, I've never had a friend, a black friend. When I came here, I had Andre and Javi. They were my friends. They've been my first black friends since then with Carmen. I've never had a Puerto Rican friend. I mean, I think black, white, Puerto Rican, and so on should be mixed because... But not by blessing. I don't know how they can get together if they don't live near each other, but I don't like the idea of blessing, but, you know, I want them to get, I want us to get together, you know. It's going to happen, you know, like if we can't fight it, which we're trying to now, we're just going to have to, you know, make it peacefully. I know, it's ridiculous. I mean, they're all the same colors, just, I mean, they're all different. They're all the same inside, but they're just different colors.
And where I used to live, I used to think, you know, everybody, well, some kids, you know, they hate other kids because of their color. It's not true because there's these other whites across the street. You know, I walk with a school and I see them bust and, you know, they don't like to be bust and all this. And they're always saying, hey, get the WAPS window. And they hit a ball through the window. School busing is a bunch of nothing. Yeah, but that's what it is. It's just a lot of trouble. It's confusing. Yeah, but some of these people... I don't get to see the fight around me. Sometimes I can't even go out because there's too much trouble on the street. People like that. People, like last year, no one would really want to go to school and kids up where I live in the high school, no one would go to school, but now they want to go back and that's the only reason they want to go back is to fight. I don't know, it's stupid. Because all this is going on already, I mean, why did they have to bring up bussing?
Come on and zoom-ba, zoom-ba, zoom-ba. Yack-a-boom-ba, boom-ba, boom-ba. Come on and zoom-ba, zoom-ba, zoom-ba, zoom-ba. Who the heck is this yack-a-zoom-ba? How the heck do you do a zoom-ba? Give us a chance and we'll tell you. Show you how to do this dance. It's not a room-ba, yack-a-boom-ba. It's not a samba, yack-a-bomba. It's not a rambo, hey-yakabambo It's not a tango, hey-yakabango
Hey-yakabumba, boom-ba, boom-ba Come on and boom-ba, boom-ba, boom-ba Hey-yakabumba, boom-ba, boom-ba Come on and boom-ba, boom-ba, boom-ba, boom-ba First you move it around a bit Then you shake it about a bit Now you twist around a bit Then you swing it about a bit Now you know. Know, know, know. Now anyone see, see, see, see. Do it with me. Say I ca boomba, boomba, boomba. Come on and zoomba, zoomba, zoomba. Say I ca boomba, boomba, boomba. Come on and zoomba, zoomba, zoomba, zoomba, zoomba. Now you get a chance, come on, join in the dance. Yeah, I try. Hiya! For my trick today, we have a knowledgeable volunteer named Andre.
Now, Andre, you know math, right? Yeah. That's good. Now, we take this ball, and we place it in that hand, and we take this one. Open your hand. Close on that ball nice and tight. Right. Good. Now, you have one ball and I have a ball, right? Well, open your hand. Ooh, Andre, I thought you were knowledgeable. You said you had one, you have two. Now, we have two balls, right? We take this one and we take this one. Open your hand. Place those two balls in your hand, nice and tight. Thank you. Now, you have two balls, right? Yeah. How many? Two. Right, open your hand. Three. Very good. Yes? Can you tell me what great event took place in 1809? Sure, Abraham Lincoln was born.
Hey, that's excellent. Now can you tell me what happened in 1812? 1810, 1811, 1812. Sure, Lincoln's third birthday. Cause you gotta have friends La, la, la, la, la, la, la, la Friends, la, la, la, la, la Friends, I'm talking about friends Oh, that's right Friends, la, la, la, la, la We'll be right back. Come on, give it a try, we're gonna show you just why, we're gonna teach you to fly high.
This program was funded by grants from McDonald's Corporation and McDonald's Restaurants Fund, and by public television stations, the Ford Foundation, and the Corporation for Public Broadcasting.
- Series
- ZOOM, Series I
- Episode Number
- 402
- Producing Organization
- WGBH Educational Foundation
- Contributing Organization
- WGBH (Boston, Massachusetts)
- AAPB ID
- cpb-aacip/15-92t4brz0
If you have more information about this item than what is given here, or if you have concerns about this record, we want to know! Contact us, indicating the AAPB ID (cpb-aacip/15-92t4brz0).
- Description
- Series Description
- "ZOOM is a children's show comprised of weekly half-hour episodes which showed what youngsters do and think. Seven ZOOMers hosted each episdoe, and the cast changed over run of series. ZOOM premiered locally as ""Summer-Do"" in 1970, and premiered nationally in January 1972. ZOOMers played games, told jokes, riddles (called Fannee Doolees) and stories and did crafts projects...and invited ideas from their audience. The result was an avalanche of ZOOMmail - in the first season, over 200,000 letters. Additionally, the Ubbi Dubbi language was invented by ZOOM."
- Description
- Zoom, #402
- Genres
- Children’s
- Media type
- Moving Image
- Duration
- 00:29:37
- Credits
-
-
Producing Organization: WGBH Educational Foundation
Production Unit: Children's Programming (STS)
- AAPB Contributor Holdings
-
WGBH
Identifier: 127033 (WGBH Barcode)
Format: U-matic
Generation: Copy: Access
If you have a copy of this asset and would like us to add it to our catalog, please contact us.
- Citations
- Chicago: “ZOOM, Series I; 402,” WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC, accessed November 23, 2024, http://americanarchive.org/catalog/cpb-aacip-15-92t4brz0.
- MLA: “ZOOM, Series I; 402.” WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Web. November 23, 2024. <http://americanarchive.org/catalog/cpb-aacip-15-92t4brz0>.
- APA: ZOOM, Series I; 402. Boston, MA: WGBH, American Archive of Public Broadcasting (GBH and the Library of Congress), Boston, MA and Washington, DC. Retrieved from http://americanarchive.org/catalog/cpb-aacip-15-92t4brz0